LupinIII : The First, un film de Takashi Yamazaki | Synopsis : Le cultissime «gentleman cambrioleur» Lupin III revient dans une aventure effrénée, pour la premiÚre fois au cinéma en France
Itâs painful for me to admit, but I still havenât entirely recovered from the passing of Monkey Punch. Perhaps this is just because of how important his Lupin series is to me personally, but I know that Iâm definitely not alone in my sentiments. But if the latest Lupin anime Goodbye Partner and Fujiko Mineâs Lie have proven anything, itâs that Monkey Punchâs creation has been left in very safe hands. What we see when examining the Goodbye Partner TV special and Takeshi Koikeâs Fujiko Mineâs Lie side by side is that they have different types of appeal that should, by all intents and purposes, contradict each other. Yet, this in itself is part of the magic of Lupin, a series which will last forever â as long as those behind it can keep on drawing out that magic, that is. Goodbye Partner Wacky Science and Old School Cool Lupin III Goodbye Partner was our first slice of Lupin to come in 2019, as it aired as a TV special around the New Year period. At the time of its announcement, it garnered significant excitement from fans not just because Lupin would be wearing a black jacket for the first time, but also because of the intriguing synopsis. TMS Entertainment teased that the themeâ of the Goodbye Partner special would be that of Jigenâs betrayal,â Lupinâs long-time partner, at which the anachronistic samurai Ishikawa Goemon was enraged.â Given this synopsis, which hinted at a rupture in one of the most iconic partnerships in anime history, the special was really shaping up to be a truly original entry in the seriesâ 50-year history. What youâll actually find when watching Goodbye Partner, however, is that itâs not very original at all â in fact, it prides itself on invoking the Lupin of a bygone age with its old school cool and wacky science. In the first instance, the theme of Jigenâs betrayalâ didnât turn out to be as earth-shattering as you might think. To be truthful, it only makes up a small part of the overall special and seems to have been overemphasized in publicity for marketing purposes. Iâm totally cool with that, though, as what Goodbye Partner is actually about is a super-advanced AI thatâs hypersensitive to the music of Chopin and tries to take over the world. Now, thatâs a concept thatâs sufficiently bizarre on its own, but itâs made even more so by how seriously all of the characters in the special â including a fictional US President that closely resembles Hillary Clinton â take it. I will admit that some viewers might be thrown out of the experience when watching the special because of this crazy, bizarre science â especially if theyâre used to the more realistic tone of Takeshi Koikeâs LUPIN IIIRD films â but I, for one, was absolutely enthralled as it took me back to the old school era of Lupin. This type of crazy science was a big part of the Saturday morning cartoonâ appeal of the original TV series, as well as the subsequent specials and films, and Iâve kinda missed that in recent years. Goodbye Partnerâs super-advanced AI really reminded me of the magician who uses mirrors in the original 1968 TV anime, or even the entire climax of 1978âs The Mystery of Mamo in how illogical and bizarre it might sound in concept, but how endearing it can be in execution. That being said, Goodbye Partner certainly isnât perfect. Rather, I found myself checking the time multiple times throughout the specialâs fairly long 1 hour 30-minute run-time due to significant pacing problems, particularly during the second act. Plus, a lot of the original characters were quite disappointingly one-dimensional when compared to how much better the series has gotten at this in the past couple of years â Arisa and Roy donât hold a candle to such characters as Rebecca and Albert. Even so, Goodbye Partner was able to successfully elicit some of the great things about more classic Lupin. In that sense, I was very much entertained. The fact that it was able to do this is, in turn, demonstrative of just how powerful the Lupin series and those currently behind it truly are. Fujiko Mineâs Lie Self-Confident Sexuality that Pushes the Boundaries Iâm especially confident about the future of the Lupin III franchise going forward when comparing Goodbye Partner to Fujiko Mineâs Lie, because Takeshi Koike was able to do almost the exact opposite of the aforementioned TV special in his own original film and still succeed all the same â showing the immense creative potential that the franchise can offer. Echoing what fellow OTAQUEST staff writer Alicia said in her review of the film, Fujiko Mineâs Lie follows the logic of 2014âs The Woman Called Fujiko Mine in skillfully portraying the powerful sexuality of the character of Fujiko Mine with grace and style. It also manages to avoid the problem of the male gaze, which could sap the power of such sexuality by reducing it to an object, by employing intense realism. Such realism, couldnât be more different from the wacky, old school style of Goodbye Partner. Iâd even go as far as to say that, if you showed the two films side by side, those with no prior might not even realize that they both belong to the same franchise and use the same characters. Thatâs not to say, however, that Fujiko Mineâs Lie doesnât have some unrealistic elements. After all, there still is a superpowered villain that can summon sandstorms at will. But what is key here is the tone and the overall purpose of the film. Koikeâs quest for a realistic depiction of these characters means that, even if the villain might have superpowers, his story of sexual awakening is still treated with dignity and grace. Itâs also given real thematic meaning, as it showcases the power of self-confident female sexuality as opposed to objectified female sexuality, which Fujiko has long since opposed. This realism is but one part of the appeal of the newâ era of Lupin III. Yet, this newâ era seems to be opposed in so many ways to the oldâ â as seen in the different styles and tones of Fujiko Mineâs Lie and Goodbye Partner. Nevertheless, that fact that these two works that so effortlessly embody the oldâ and newâ of Lupin III released within mere months of each other â and did quite well, at that â is surprising. This seemingly contradictory fact, however, is exactly what makes Lupin so special. Lupin Will Live Forever Lupin has long since acted as an incubator for the most talented creators in the industry. Indeed, one of the reasons why the series has evolved so much over the years is that different creators with different visions and aims are constantly coming in and out of the series, shaping and molding it to their specific desires, in turn. This fact does, however, beg a simple question why? Why do creators turn to Lupin, instead of just creating their own, original projects? On a cynical level, you could certainly argue that itâs probably just easier to get a Lupin project off the ground than it is your own original anime project. After all, weâre talking about the choice of banking of 50 years of success, or taking a chance on the unknown â which one do you think producers are going to take? Even if youâre locked into a Lupin project instead of your own, original project, you can still inject a lot of those original ideas into your Lupin piece. Iâd wager thatâs why we get bonkers stuff like the super-advanced Chopin AI in Goodbye Partner and the sandstorm summoner in Fujiko Mineâs Lie, to be honest. But on a more artistic level, taking on such an iconic series so intently ingrained in the Japanese â and, indeed, global consciousness â gives creators a ready, influential vehicle with which they can tell exciting stories that might push the medium of animation and storytelling ever forward, just as Lupin stories have done in the past. Adopting Lupin and the tropes that come with it also allows creators to push the boundaries of the Lupin series itself from within, giving them the rare chance to teach an old dog new tricks. Fujiko Mineâs Lie is perhaps the most obvious example of this, as Koike attempts to mold Monkey Punchâs creation into a hard-boiled crime thriller. But even director Jun Kawagoe and writer Takehiko Hata do this on Goodbye Partner, as they are able to demonstrate that this old dog can still do that trick that people loved so dearly, so many years ago. More generally, though, creators pushing the boundaries of the Lupin series also allows it to discover new methods of appeal, therefore allowing more and more diverse sets of people to enjoy its stories. How many people got into the Lupin III franchise because of the more progressive The Woman Called Fujiko Mine, and how many more will because of Fujiko Mineâs Lie? How many people got into the franchise because of the more shonen-styled Part 4 or Part 5? For that matter, how many people got into the franchise because of Hayao Miyazakiâs more romantic take on the franchise with 1979âs The Castle of Cagliostro? Because I know I did. But the fact that TMS Entertainment has been able to nail both the past and future appeal of the franchise, that is to say the oldâ and newâ era of Lupin III with Goodbye Partner and Fujiko Mineâs Line in the same year, mere months apart is nothing short of an incredible achievement. This all comes down to the incredible work of the people over at the studio, such as Jun Kawagoe and Takeshi Koike, but also the hundreds of others who work hard to ensure little things, such as the way Jigen twirls his pistol or the Fiat 500 sounds, are just right. These people are what give me confidence about the future of the franchise. They are the ones that make me believe in both the old school cool of Goodbye Partner and the self-confident sexuality of Fujiko Mineâs Lie. Their work makes me truly believe that Lupin III will live forever. All of this means that Monkey Punch, wherever he might be now, can rest assured â his Lupin III is in very safe hands. LupinIII: The First Streaming Vostfr, Lupin III: The First Streaming vf gratuit, Lupin III: The First Streaming Youwatch, Lupin III: The First Telecharger, Lupin III: The First Film Complet en streaming, Lupin III: The First Uptobox, Lupin III: The First Film complet en français, Lupin III: The First Streaming vf gratuit complet, read more. Past Events Oct 1. Thu, 5:40 AM (366 days) At Alternative TitlesSynonyms Lupin the Third Goemon Ishikawa's Spray of Blood Japanese LUPIN THE IIIRD èĄç ăźçłć·äșă§é German Lupin III der Film Goemon Ishikawa, der es Blut regnen lĂ€sst French Lupin III le Film La Brume de Sang de Goemon Ishikawa More titlesInformation Episodes 1 Status Finished Airing Aired Feb 4, 2017 Source Manga Demographic Seinen Duration 53 min. Rating R+ - Mild Nudity Statistics Score scored by 14,221 users Ranked 76622 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded. Popularity 3285 Members 35,188 Favorites 120 External Links Streaming Platforms May be unavailable in your region. Staff Koike, Takeshi Producer, Director, Episode Director, Storyboard, Animation Director, Character Design No opening themes have been added to this title. Help improve our database by adding an opening theme here. Reviews Mar 22, 2017 Let's get the first thing out of the way this movie truly lives up to its title It's gory. It's bloody. It's something that Lupin III is offering for pretty much the first time. Yeah, there's been blood and some mild gore, but there's some fairly disturbing scenes thrown in. Art direction is fantastic as usual. I really like the more mature view of Lupin III that this movie has. It's something Lupin needed to a degree, almost as if it's a homage to the original manga. It's mature enough to be appealing to older audiences, but doesn't take itself too seriously. It has the ... Apr 22, 2017 Lupin the Third Goemon Ishikawa's Spray of Blood lives up to its name by havings lots of blood in it, which is a good thing since it didn't meet most of my other expectations. What I wanted from this movie was a look at Goemon as a character because he has typically been sidelined in many of the other titles in the franchise. If that's what you're looking for, you'll have more luck watching The Fuma Conspiracy, Dragon of Doom, or certain episodes in any of the TV series because this says very little about Goemon. If you've already seen the movie, then you might be ... Interest Stacks Recommendations Recent News Recent Forum Discussion Asimple diamond heist leads Lupin into the machinations of a bizarre cult based around the prophecies of Nostradamus. They kidnap Julia, the daughter of Douglas, a wealthy American who is seeking the presidency, along with Lupin's diamond. At stake is the lost book of prophecy Douglas holds in the vault at the top of his skyscraper. LupinIII vs DĂ©tective Conan Film complet en Vf, Streaming en Francais, voir Lupin III vs DĂ©tective Conan film complet streaming 2009 Suite au dĂ©cĂšs acciden Skip to content Jouer maintenant LupinIII: The First (Japanese: ă«ăăłäžäž THE FIRST, Hepburn: Rupan Sansei Za FÄsuto) is a 2019 Japanese 3D CGI-animated comedy action-adventure heist film based on the Lupin theàźÛÛ©àź Regarder Lupin III: The First TĂ©lĂ©charger ă«ăăłäžäž THE FIRST àźÛ©ÛÛ©àź á Voir Lupin III : The First en streaming version française directement sur Films VF . Film gratuit en streaming Regarder Lupin III : The First en
Achtung geĂ€nderter Termin: Leider mussten wir den Kino-Termin von Lupin III.: The First um wenige Tage vorziehen: Das neue Datum ist nun Dienstag, der 26. OLespersonnages sont Ă©galement bien caractĂ©risĂ©s. J'adore ce nouveau style d'animation 3D et j'espĂšre qu'il y aura plus de films comme celui-ci. Je le suggĂšre Ă tous et pas seulement aux fans du cĂ©lĂšbre LupinIII â The First complet gratuit. Voirfilm Lupin III â The First complet vostfr. Lupin III â The First streaming complet hd. Regardez un film en ligne ou regardez les